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Sau Jhooth Ek Sach - The Uninvited 3: How to Stream or Download the Movie in 1080p Without Any Hassle



Sau Jhooth Ek Sach - The Uninvited 3: A Thrilling Mystery That Keeps You Guessing




If you are a fan of mystery thrillers that keep you on the edge of your seat, you might want to check out Sau Jhooth Ek Sach - The Uninvited 3, a 2005 Hindi-language indie film directed by Bappaditya Roy. The film is a gripping adaptation of J.B. Priestley's play "An Inspector Calls" that explores the themes of guilt, responsibility, and justice.




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The film stars Mammootty as Inspector Vivek, who arrives at the house of a wealthy industrialist Vikrant Pradhan (Vikram Gokhale) to investigate a suicide case. He interrogates each member of Pradhan's family and reveals their hidden connections to the dead girl. As he digs deeper into their secrets, he also uncovers a shocking truth that changes everything.


In this article, we will review Sau Jhooth Ek Sach - The Uninvited 3 in detail and discuss its plot, characters, themes, cinematography, music, and comparison to other adaptations. We will also give our opinion on whether it is worth watching and who would enjoy it.


The Plot: A Suicide That Leads to a Shocking Revelation




The film begins with a scene of a pregnant girl hanging herself from a ceiling fan in a Mumbai slum. The next night, Inspector Vivek shows up at Pradhan's house with a photo of the girl and claims that she committed suicide because of Pradhan's family. He then proceeds to question each of them one by one, starting with Pradhan's wife Shobha (Lillete Dubey), who is a socialite and a philanthropist.


Vivek accuses Shobha of rejecting the girl's plea for help when she came to her charity office. He says that the girl was pregnant with Pradhan's son Karan's (Amitabh Dayal) child and wanted to marry him, but Shobha refused to accept her as her daughter-in-law. He also reveals that Shobha had an affair with a young artist named Ravi (Anupam Kher), who was also involved with the girl.


Next, Vivek interrogates Karan, who is a spoiled and arrogant playboy. He admits that he had a fling with the girl, but denies that he was the father of her child. He says that he dumped her when he found out that she was also seeing Ravi. He also blames his father for neglecting him and his mother for being unfaithful.


Then, Vivek questions Pradhan's daughter Ria (Neha Dubey), who is a journalist and a feminist. He accuses her of writing a slanderous article about the girl, calling her a gold-digger and a home-wrecker. He says that Ria was jealous of the girl because she was in love with Ravi, who rejected her for the girl.


After that, Vivek confronts Pradhan himself, who is a powerful and ruthless businessman. He accuses him of exploiting the girl's father, who worked in his factory, and firing him when he demanded better wages. He says that Pradhan's greed and corruption drove the girl's father to suicide, leaving her orphaned and destitute.


Finally, Vivek reveals the shocking twist: he is not a real inspector, but the brother of the dead girl. He says that he came to Pradhan's house to expose their crimes and make them confess their guilt. He also says that he has planted a bomb in the house that will explode in five minutes, killing them all. He then leaves them to face their fate.


The film ends with a scene of Vivek walking away from the house, as it explodes behind him.


The Characters: A Family With Dark Secrets




The film features a cast of talented actors who portray complex and flawed characters. Each of them has a dark secret that links them to the suicide victim and makes them responsible for her death.


Mammootty as Inspector Vivek: He is the protagonist and the antagonist of the film. He is a vengeful and cunning man who poses as an inspector to take revenge on Pradhan's family. He is also a sympathetic and tragic figure who lost his sister and his parents because of Pradhan's family. He delivers a powerful performance that keeps you guessing about his true identity and motives.


Vikram Gokhale as Vikrant Pradhan: He is the patriarch and the villain of the film. He is a cold and cruel man who cares only about his money and power. He is also a hypocrite and a liar who pretends to be a respectable and generous person. He is the root cause of all the problems in the film, as he exploited, cheated, and harmed everyone around him. He gives a convincing performance that makes you hate him.


Lillete Dubey as Shobha Pradhan: She is the wife and the accomplice of Vikrant Pradhan. She is a selfish and snobbish woman who looks down on others and cares only about her status and reputation. She is also an unfaithful and dishonest woman who cheated on her husband with a younger man and rejected her son's lover. She gives a nuanced performance that makes you pity her.


Amitabh Dayal as Karan Pradhan: He is the son and the victim of Vikrant Pradhan. He is a spoiled and arrogant man who treats women as objects and toys with their feelings. He is also a lonely and unhappy man who suffers from his father's neglect and his mother's infidelity. He gives a realistic performance that makes you dislike him.


Neha Dubey as Ria Pradhan: She is the daughter and the rebel of Vikrant Pradhan. She is a smart and independent woman who works as a journalist and supports women's rights. She is also a bitter and resentful woman who envies others' happiness and writes negative articles about them. She gives an expressive performance that makes you admire her.


Anupam Kher as Ravi: He is the lover and the catalyst of Shobha Pradhan, Karan Pradhan , and Ria Pradhan. He is a young and talented artist who has a passion for painting and music. He is also a careless and unfaithful man who has multiple affairs and breaks many hearts. He gives a charming performance that makes you like him.


The Themes: A Moral Dilemma That Challenges Your Conscience




The film explores various themes and messages that are relevant and thought-provoking. Some of the main themes are:


Guilt: The film shows how guilt can affect people in different ways. Some of the characters try to deny or justify their guilt, while others try to repent or escape from it. The film also shows how guilt can be collective or individual, as the characters are all guilty of contributing to the girl's death, but some of them are more guilty than others.


Responsibility: The film shows how responsibility can be a moral duty or a legal obligation. Some of the characters try to evade or shift their responsibility, while others try to accept or share it. The film also shows how responsibility can be personal or social, as the characters are all responsible for their own actions, but some of them are also responsible for the welfare of others.


Justice: The film shows how justice can be a matter of law or ethics. Some of the characters try to seek or avoid justice, while others try to deliver or prevent it. The film also shows how justice can be subjective or objective, as the characters have different views and standards of what is fair and right.


The Cinematography: A Visual Style That Enhances the Mood




The film uses various aspects of cinematography to create a dark and tense mood that suits the genre and tone of the film. Some of the main aspects are:


Lighting: The film uses low-key lighting to create contrast and shadows that emphasize the mystery and drama of the scenes. The film also uses color filters to create different moods, such as blue for coldness and isolation, red for danger and violence, and yellow for warmth and hope.


Camera angles: The film uses high-angle shots to show the power and authority of the inspector, low-angle shots to show the vulnerability and fear of the family, and eye-level shots to show the equality and confrontation of the characters. The film also uses close-ups to show the emotions and expressions of the characters, and long shots to show the setting and context of the scenes.


Camera movements: The film uses tracking shots to follow the inspector as he moves around the house, panning shots to show the reactions of the family, and zooming shots to focus on important details or clues. The film also uses static shots to create tension and suspense, and handheld shots to create realism and intimacy.


The Music: A Soundtrack That Adds to the Emotion




The film features a soundtrack that complements the scenes and conveys the mood and emotion of the characters and situations. Some of the main features are:


Genre: The film uses a mix of genres to create variety and contrast in the music. The film uses classical music to create a sense of elegance and sophistication, rock music to create a sense of energy and excitement, and folk music to create a sense of culture and tradition.


Instruments: The film uses a range of instruments to create different sounds and effects in the music. The film uses strings to create a sense of drama and tension, piano to create a sense of melody and harmony, and drums to create a sense of rhythm and pace.


Songs: The film features some songs that add to the emotion and meaning of the scenes. Some of the songs are original compositions by Bappaditya Roy, while others are existing songs by famous artists. Some of the songs are "Sau Jhooth Ek Sach" by Bappaditya Roy, which is the title song that summarizes the theme and plot of the film, "An Inspector Calls" by J.B. Priestley, which is the original play that inspired the film, and "The Uninvited" by Steven A. Lee, which is a song that plays during the climax of the film and reflects the inspector's feelings and actions.


The Comparison: How Does It Compare to Other Adaptations?




The film is not the first or the only adaptation of "An Inspector Calls", which is a classic play that has been adapted many times for different media and audiences. Some of the other adaptations are:



Title


Year


Medium


Differences


Similarities


An Inspector Calls


1954


Film


- Set in 1912 England- Inspector Goole is played by Alastair Sim- The ending is more ambiguous and open-ended


- Follows the same plot and dialogue as the play- Explores the same themes and messages as the play- Uses the same cinematography and music techniques as the film


An Inspector Calls


1982


TV film


- Set in 1980 England- Inspector Goole is played by Bernard Hepton- The ending is more conclusive and definitive


- Follows the same plot and dialogue as the play- Explores the same themes and messages as the play- Uses similar cinematography and music techniques as the film


An Inspector Calls


2015


TV film


- Set in 1912 England- Inspector Goole is played by David Thewlis- The ending is more dramatic and surprising


- Follows the same plot and dialogue as the play- Explores the same themes and messages as the play- Uses different cinematography and music techniques as the film


The film differs from these adaptations in several ways, such as:



  • It is set in 2005 India, which gives it a different cultural and historical context.



  • It changes the names and backgrounds of the characters, which gives them a different personality and motivation.



  • It adds a twist to the inspector's identity and motive, which gives it a different tone and impact.



The film resembles these adaptations in some ways, such as:



  • It follows the same basic plot and dialogue as the play, which preserves its original structure and meaning.



  • It explores the same themes and messages as the play, which makes it relevant and thought-provoking.



  • It uses some of the same cinematography and music techniques as the film, which creates a similar mood and emotion.



The Conclusion: Is It Worth Watching?




In conclusion, Sau Jhooth Ek Sach - The Uninvited 3 is a thrilling mystery that keeps you guessing until the end. It is a well-made adaptation of "An Inspector Calls" that adds its own twists and turns to the story. It has a strong cast, a compelling plot, a rich theme, a dark cinematography, and a fitting music. It is worth watching if you enjoy mystery thrillers that challenge your conscience.


We would recommend this movie to anyone who likes:



  • Mystery thrillers that have suspense, mystery, and drama.



  • Adaptations that have creativity, originality, and respect for the source material.



  • Movies that have social commentary, moral dilemma, and ethical questions.



If you liked this movie, you might also like:



  • Knives Out (2019), a comedy-mystery film that follows a detective who investigates the death of a wealthy patriarch.



  • Murder on the Orient Express (2017), a crime-mystery film that follows a detective who investigates a murder on a train.



  • The Girl with the Dragon Tattoo (2011), a thriller-mystery film that follows a journalist and a hacker who investigate a missing person case.



FAQs




Here are some frequently asked questions about Sau Jhooth Ek Sach - The Uninvited 3:



  • Where can I watch Sau Jhooth Ek Sach - The Uninvited 3?



You can watch Sau Jhooth Ek Sach - The Uninvited 3 on various online platforms, such as YouTube, Amazon Prime Video, and Hotstar. You can also buy or rent the DVD from online or offline stores.


  • Who is the director of Sau Jhooth Ek Sach - The Uninvited 3?



The director of Sau Jhooth Ek Sach - The Uninvited 3 is Bappaditya Roy, who is an Indian filmmaker and writer. He has directed and written several other films, such as The Uninvited (2003), The Uninvited 2 (2004), and The Uninvited 4 (2006).


  • Who is the writer of An Inspector Calls?



The writer of An Inspector Calls is J.B. Priestley, who was an English novelist, playwright, and broadcaster. He wrote many other works, such as The Good Companions (1929), Time and the Conways (1937), and Dangerous Corner (1932).


  • What is the genre of Sau Jhooth Ek Sach - The Uninvited 3?



The genre of Sau Jhooth Ek Sach - The Uninvited 3 is mystery thriller, which is a type of film that involves a crime, a mystery, and a suspenseful plot. Some of the elements of this genre are clues, suspects, twists, and revelations.


  • What is the rating of Sau Jhooth Ek Sach - The Uninvited 3?



The rating of Sau Jhooth Ek Sach - The Uninvited 3 is A, which means that it is suitable for adults only. The film contains some scenes of violence, language, and sexuality that may not be appropriate for younger viewers.


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